Skip to main content

4D: Time project

4D art contains a wide variety of art practices, but generally is divided in to 3 genres which are, Installation art, issue of site and audience interaction, hoe context alters meaning and impact. But overall 4D practice is very much time based.

For this project I looked at the artist Tehching Hsich. From 1980 to 1981, Hsich spent the entire year punching time  cards every hour for a project called "one year performance 1980-1981". Each time he punched his time card, he would have his photo taken, then every single photo that was taken from the whole year was put together to make a time-lapse that lasted around 6 minutes long.


So after looking at Hsich performance work, I then began to explore with time by making my own little time-lapse. The first time-lapse I did was set to take a picture every 2 minutes for 30 minutes, I really liked how good it looked when all the images was put together.

As soon as I got back to my flat, I put my camera on charge and slid it in to my window and set it up to take a photo for ever 2 minutes for 8 hours and 42 minutes, looking at the night turn into day, which then gave me the idea to go traveling, I set my camera to take a photo ever second while I was on the
train or when I was walking. When I was at work, I set the camera to ever minute.


After doing them time-lapses, it got me thinking about what they would look like if I put them together and made a bigger time-lapse. So I went on an app called I-movies and started to compose this short film which summed up my week-end, showing how repetitive it is, this short film ended up being just over 2 minutes long. 


Overall, I found this project very challenging but I really

enjoyed it. I can kind of see myself using this practice in the future because I like looking at how repetitive daily routine can be and looking at how it effects people.



Comments

Post a Comment

Popular posts from this blog

Ana Teresa Barboza

Ana Teresa Barboza´s characteristic use of crafts such as patchwork, knitting or embroidery combined with other media on her artistic work, bestow a poetic quality to depictions of plants and their growth – which defy our serial and industrialized times. Since she graduated from the Art Faculty of the Pontificia Universidad Católica del Perú , Barboza´s use of manual crafts became the means to convey a meditative and powerful observation with the environment and her relationship with reality. Her laborious use of traditionally feminine handicraft has become her trademark, where her interest was centered initially on depictions of herself and the relationship with her body and in Animales Familiares  on the liaison of herself and her relation with others by the use of animal metaphors. Through photographs the artist recently has registered spaces she inhabited for long periods of time. With this technique, her experiences were depicted in an image; printed on paper as foot...
Post a Comment
Read more

Lauren Velvick

Lauren Velvick is a writer, Artist and curator based in Manchester. She is currently CO director of the exhibition centre for the “life and use of books” and programme co-ordinator at Bluecoat Arts Centre in Liverpool. She is also a contributor to the national and local arts publications , for example : Arts Monthly, The Skinny, The Double Negative and This is tomorrow, and is also a contributing editor of corridor 8 She is inspired by Encountering every day creativity and intensely boring/meditative city walks, all sorts of things I like how she uses text , writing and speaking as a performance piece instead of just painting a picture but I don’t think I could do this in my practice because im not really a performing artist. I also like how her work is sometimes based on her response to other artist http://www.lifeanduseofbooks.org/old_site/corridor-videos.html I was unable to add some videos of Laurens work but here is a link to some
Post a Comment
Read more

Sheena Liam

Artist Sheena Liam  has a one-of-a-kind, handcrafted approach to embroidery. Favouring female subjects, with a focus on flowing hairstyles, Liam creates unique portraits of women and girls with thread tresses that cascade from the canvas. Each portrait is created using black thread, culminating in a collection of works reminiscent of simple yet exquisitely rendered line drawings. While the majority of each embroidered image lays flat, the subject's hair falls loosely from her face, adding a touch of three-dimensionality to an otherwise uniform surface. Thanks to the thread's versatility, Liam is able to experiment with a range of hairstyles, from perfectly coiffed braided pigtails to loosely tied top-knots.     As a nod to the traditional craft, Liam uses an embroidery hoop to complete each inventive piece. In some cases, the figures' hair even extends beyond the frame, conveying the ar...
Post a Comment
Read more