Ana Teresa Barboza

Ana Teresa Barboza´s characteristic use of crafts such as patchwork, knitting or embroidery combined with other media on her artistic work, bestow a poetic quality to depictions of plants and their growth – which defy our serial and industrialized times. Since she graduated from the Art Faculty of the Pontificia Universidad Católica del Perú, Barboza´s use of manual crafts became the means to convey a meditative and powerful observation with the environment and her relationship with reality.

Her laborious use of traditionally feminine handicraft has become her trademark, where her interest was centered initially on depictions of herself and the relationship with her body and in Animales Familiares on the liaison of herself and her relation with others by the use of animal metaphors. Through photographs the artist recently has registered spaces she inhabited for long periods of time. With this technique, her experiences were depicted in an image; printed on paper as footprints on the ground, physical trace of something that’s not longer there.

I felt really inspired by Ana Teresa Barboza's art because I really like how she has let the piece flow and extend beyond the hoop. I just really like the idea how its all neat and tidy inside the hoop then it goes all messy and free out side the hoop. she has really gave my idea on how to move my project on further

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Lauren Velvick

Lauren Velvick is a writer, Artist and curator based in Manchester. She is currently CO director of the exhibition centre for the “life and use of books” and programme co-ordinator at Bluecoat Arts Centre in Liverpool. She is also a contributor to the national and local arts publications , for example : Arts Monthly, The Skinny, The Double Negative and This is tomorrow, and is also a contributing editor of corridor 8 She is inspired by Encountering every day creativity and intensely boring/meditative city walks, all sorts of things I like how she uses text , writing and speaking as a performance piece instead of just painting a picture but I don’t think I could do this in my practice because im not really a performing artist. I also like how her work is sometimes based on her response to other artist http://www.lifeanduseofbooks.org/old_site/corridor-videos.html I was unable to add some videos of Laurens work but here is a link to some

Family Selfie

Throughout this semester I wanted to challenge myself and look at working with calico, watercolour and stitch looking at figures in photographs, I also wanted this piece to be very personal to me and be in memory of my nanna as well as be a public piece. For this project I wanted to look at how The Walker Gallery is a very family friendly gallery but not everyone can Remember seeing all the gallery which gave me the idea to look at how our minds might betray what we remember. The piece I created was called “Family selfie” and its 8” x 8” and the media used was water colour and stitch on calico, it is about the idea of remembering little bits like colour of someone’s hair or the colour of what they are wearing, this piece is also about patchy memories and tangled thoughts, so you can remember what colour hair someone has but you can’t remember their facial features or brand of clothing they had on which ties in with why this piece is in the café. People te

Bethany Hill: Art And Inspirations

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