Mini Degree Show:Exhibtion

For this project, I decided to carry on with the "fail" project and looked more carefully in to the word fail. I carried on with the technique I was using with in the fail project looking at patchy memories and tangled thoughts and emotion. I really enjoyed this project because I worked in the way I like to work with all materials spread out around me and producing work at quiet a fast pace.

For my final piece for this project, I decided to work with thread, emulation, acrylic and charcoal on a big piece of calico. I took this piece out of my A6 sketchbook and increased the size by 20x roughly. I didn't really think about time when I was doing this piece because I was just having fun with it and getting carried away until it came to making the thread thicker which ended up taking about 5 rolls of black thread because I wanted to make the piece similar to the piece in my book.

The task after that was to find a place to display the piece for the mini degree show exhibition in the show space. I was looking at putting it above a door way or something so all the threads are dangling and people would get tangled in all the threads but then when I looked at other places I decided to display the piece on to a window because I liked how the sun light contrasted with my piece and how it always looked different because the light was always changing. I think that if I had more time , I think I would create a series of them but looking at different scale and dark colours.

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Ana Teresa Barboza

Ana Teresa Barboza´s characteristic use of crafts such as patchwork, knitting or embroidery combined with other media on her artistic work, bestow a poetic quality to depictions of plants and their growth – which defy our serial and industrialized times. Since she graduated from the Art Faculty of the Pontificia Universidad Católica del Perú , Barboza´s use of manual crafts became the means to convey a meditative and powerful observation with the environment and her relationship with reality. Her laborious use of traditionally feminine handicraft has become her trademark, where her interest was centered initially on depictions of herself and the relationship with her body and in Animales Familiares on the liaison of herself and her relation with others by the use of animal metaphors. Through photographs the artist recently has registered spaces she inhabited for long periods of time. With this technique, her experiences were depicted in an image; printed on paper as footprints on

Lauren Velvick

Lauren Velvick is a writer, Artist and curator based in Manchester. She is currently CO director of the exhibition centre for the “life and use of books” and programme co-ordinator at Bluecoat Arts Centre in Liverpool. She is also a contributor to the national and local arts publications , for example : Arts Monthly, The Skinny, The Double Negative and This is tomorrow, and is also a contributing editor of corridor 8 She is inspired by Encountering every day creativity and intensely boring/meditative city walks, all sorts of things I like how she uses text , writing and speaking as a performance piece instead of just painting a picture but I don’t think I could do this in my practice because im not really a performing artist. I also like how her work is sometimes based on her response to other artist http://www.lifeanduseofbooks.org/old_site/corridor-videos.html I was unable to add some videos of Laurens work but here is a link to some

Family Selfie

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Bethany Hill: Art And Inspirations

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