Skip to main content

Amy Stephens

Amy Stephens’ work is fundamentally sculptural in both its form and content, taking for its starting point the tactile and expressive qualities of a range of materials. Contrasting the angularity of wood and metal with the soft tactility of fabric and flock, her assemblages occupy a space between the abstract and the associative, and between seduction and control. Sparse and inherently structural, they have a strong architectural presence and make a conscious nod to Modernist or Minimalist sculptural traditions. Rendering materials and objects found in nature through industrial processes such as bronze casting and wood planning


, Stephens highlights the tension between the natural world and artificial methods of production. In this way the artist explores the symbiotic relationship between nature and human agency, and draws attention to their tenuous interrelationship through the creation of objects that are at once beautiful
and threatening. Stephens’ sculptures are often a direct response to the architectural spaces in which they are exhibited, and arrest the viewer through their elemental physicality. They also uncannily hint at recognisable objects and shapes through elegant juxtapositions; some have an anthropomorphic quality, their lines and junctures approximating limbs and joints, while others evoke the animal world through appropriated objects such as bronzed deer antlers. The artist’s sensibility and thought process can be seen within the subtle, economic use of individually produced elements, and their arrangement within purposeful and engaging compositions. As powerful groupings, they announce the power of the natural world through the language of manufacture, and provoke a dialogue of materials and forms that demands the viewer’s attention.

I looked at her work before the lecture and I didn’t really enjoy looking at her work, I wasn’t that interested if I’m honest it just looked like a loud of random shapes but after listening to her, I find her work inspiring because it might be random simple shapes but she’s actually comparing man made and nature and bringing them together

Comments

Popular posts from this blog

Ana Teresa Barboza

Ana Teresa Barboza´s characteristic use of crafts such as patchwork, knitting or embroidery combined with other media on her artistic work, bestow a poetic quality to depictions of plants and their growth – which defy our serial and industrialized times. Since she graduated from the Art Faculty of the Pontificia Universidad Católica del Perú , Barboza´s use of manual crafts became the means to convey a meditative and powerful observation with the environment and her relationship with reality. Her laborious use of traditionally feminine handicraft has become her trademark, where her interest was centered initially on depictions of herself and the relationship with her body and in Animales Familiares  on the liaison of herself and her relation with others by the use of animal metaphors. Through photographs the artist recently has registered spaces she inhabited for long periods of time. With this technique, her experiences were depicted in an image; printed on paper as footprints on

Lauren Velvick

Lauren Velvick is a writer, Artist and curator based in Manchester. She is currently CO director of the exhibition centre for the “life and use of books” and programme co-ordinator at Bluecoat Arts Centre in Liverpool. She is also a contributor to the national and local arts publications , for example : Arts Monthly, The Skinny, The Double Negative and This is tomorrow, and is also a contributing editor of corridor 8 She is inspired by Encountering every day creativity and intensely boring/meditative city walks, all sorts of things I like how she uses text , writing and speaking as a performance piece instead of just painting a picture but I don’t think I could do this in my practice because im not really a performing artist. I also like how her work is sometimes based on her response to other artist http://www.lifeanduseofbooks.org/old_site/corridor-videos.html I was unable to add some videos of Laurens work but here is a link to some

Family Selfie

Throughout this semester I wanted to challenge myself and look at working with calico, watercolour and stitch looking at figures in photographs, I also wanted this piece to be very personal to me and be in memory of my nanna as well as be a public piece. For this project I wanted to look at how The Walker Gallery is a very family friendly gallery but not everyone can Remember seeing all the gallery which gave me the idea to look at how our minds might betray what we remember. The piece I created was called “Family selfie” and its 8” x 8” and the media used was water colour and stitch on calico, it is about the idea of remembering little bits like colour of someone’s hair or the colour of what they are wearing, this piece is also about patchy memories and tangled thoughts, so you can remember what colour hair someone has but you can’t remember their facial features or brand of clothing they had on which ties in with why this piece is in the café. People te