Skip to main content

Jo McGonigal

Jo McGonigal’s practice and research engages with emergent debate on new materialism and theories of the haptic in relation to painting. By taking painting apart and focusing on its physical components, she examines how the material components of painting affect the experience of the viewer, not what the painting means but what it does.
In addition to her own practice McGonigal has worked as an arts professional for over 20 years including: curating projects for FACT, Liverpool, and Liverpool Biennial; establishing Corridor8 (an international journal for art & writing); and lecturing in Fine Art at Leeds Metropolitan University and Manchester School of Art at Manchester Metropolitan University.

I like some of McGonigals work. I really like that fact that she studies a lot about the subject matter she is portraying. I also really like how she varies between space and architectures or something playful and fun. I really like the idea of being simple with art and keep it bold. I think I would like to try and do something like these within my own practice




Comments

Popular posts from this blog

Ana Teresa Barboza

Ana Teresa Barboza´s characteristic use of crafts such as patchwork, knitting or embroidery combined with other media on her artistic work, bestow a poetic quality to depictions of plants and their growth – which defy our serial and industrialized times. Since she graduated from the Art Faculty of the Pontificia Universidad Católica del Perú , Barboza´s use of manual crafts became the means to convey a meditative and powerful observation with the environment and her relationship with reality. Her laborious use of traditionally feminine handicraft has become her trademark, where her interest was centered initially on depictions of herself and the relationship with her body and in Animales Familiares  on the liaison of herself and her relation with others by the use of animal metaphors. Through photographs the artist recently has registered spaces she inhabited for long periods of time. With this technique, her experiences were depicted in an image; printed on paper as foot...

3D: ready made

3D art has height, width and depth and is mainly associated with ceramics, sculpture and anything that can be held. For this project we was asked to get in to pairs and find out each others likes and dislikes, a bit like a speed dating session but we had to make a list about it. I wasn't in for this little exercise so I asked my step dad so that I could get on with the work. After doing that little exercise we had to pick something to create of the list so I picked 2 things which were sports and Vespa's, so I decided to make little Vespa's out of news paper that was all about sports. I kind of struggles with this project because I wasn't in to hear exactly what to do but I feel like it went alright in the end, I quiet like the little series I did because they wasn't perfect but it kind of shows what I wanted it to show.    

Sheena Liam

Artist Sheena Liam  has a one-of-a-kind, handcrafted approach to embroidery. Favouring female subjects, with a focus on flowing hairstyles, Liam creates unique portraits of women and girls with thread tresses that cascade from the canvas. Each portrait is created using black thread, culminating in a collection of works reminiscent of simple yet exquisitely rendered line drawings. While the majority of each embroidered image lays flat, the subject's hair falls loosely from her face, adding a touch of three-dimensionality to an otherwise uniform surface. Thanks to the thread's versatility, Liam is able to experiment with a range of hairstyles, from perfectly coiffed braided pigtails to loosely tied top-knots.     As a nod to the traditional craft, Liam uses an embroidery hoop to complete each inventive piece. In some cases, the figures' hair even extends beyond the frame, conveying the ar...